Rollei Digital Camera 35 User Guide

The  
Operation Manual  
Table of contents:  
Facts and figures (technical specifications)  
Depth of field table (feet and meters)  
Practical Hints  
All this information, texts, and images were extracted from the original "Rollei 35/35T/35S In Practical  
Use" and intends to give some guidelines to new users that don't have access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
     
Loading the Camera  
Loading the Camera  
Turn down the lever 9. Unlock the back 11 with lock 21 and pull it off.  
Inserting the battery  
Unscrew the slotted screw cap 25 with a coin. Insert the fresh battery  
into the camera, so that the plus sign + remains visible. Replace the  
screw cap 25 and screw tight with a coin.  
Inserting the film  
Swing open the pressure plate 26.  
Push in the cartridge and pull out the film leader until both perforated  
edges engage the sprocket shaft 27. Then swing the pressure plate 26 over  
the film and hold it down.  
Push the film leader fully through the slot  
28 and wind it up on the take-up spool by  
turning the milled wheel 29 in the  
direction of the arrow as long as it can be  
turned.  
Push the camera back 11 in place and  
lock it.  
Push the camera back 11 in place until it stop and lock it with lock 21.  
Advancing the film to frame No. 1  
Pull out the lens 4 and turn as far as it will go to engage. Remove the  
lens cap.  
Alternately press down release button 18 and advance by pulling the  
lever 14 to its stop until the frame counter 10 indicates No. 1. Checking  
correct film advance: rewind axle 30 will rotate as the film is wound on.  
Setting the film speed  
Set the index of the film speed dial 7 to the ASA or DIN speed rating  
shown on the film packing.  
Setting the film indicator  
Set the pointer of indicator 2 to the film type in use (black and white  
negative, colour negative film, artificial light colour film, daylight colour  
film 3).  
All this information, texts, and images were extracted from the original "Rollei 35/35T/35S In Practical  
Use" and intends to give some guidelines to new users that don't have access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
     
Shooting  
Shooting  
Set the controls by pressing the index fingers against the  
lower edge of the setting dials. This also releases the  
aperture dial 5 by pressing on the ledge 6 underneath.  
All settings are read off against the triangular index mark  
at the top.  
Pre-select the exposure time  
Turn the shutter speed dial 1 to engage the selected  
exposure time opposite the index mark. For  
instantaneous exposures see hint 6. See also time  
Line up the matching pointer  
The measuring range starts where the meter needle 16 becomes visible outside the red area.  
For reliable readings, point the camera accurately at the subject, so that the exposure meter takes in the  
correct field of view. For shots out of doors with large sky areas point the camera slightly downwards  
rather than upwards.  
With the camera held in this way: Turn the aperture dial 5 to bring the  
red matching pointer 17 into line with the meter needle 16. If  
neccessary select a longer or shorter exnosure time.  
The shutter speed and aperture are now set for correct exposure. For pre-selecting apertures see hint 7.  
Setting the distance  
Turn the setting ring 22 to set the required distance to the index mark , also hint 8.  
The same scale ring carries distances in meters in its opposite side (to see that, turn the camera upside  
down).  
Remark.: In the models scaled in meters, the feet scale is in its opposite side.  
Releasing  
Sight the subject in the finder 13: The brilliant frame shows the view taken in. Press the shutter release  
button 18. For longer exposure times: keep the release button pressed down until the shutter action is  
finished.  
The short boundary marks within the brilliant frame show the limits of the field of view at near distances  
below 5 feet (1.5 meters).  
For self-timer exposures see hint 2.  
After shooting  
To get the camera ready for the next shot, pull the winding lever 14 out as far as it will go with your  
thumb.  
The frame counter 10 shows the number of the next shot. If the winding lever 14 is locked, this signifies  
that the camera is ready for shooting. Now you can release the lens 4 by pressing the button 15, and then  
turn to the left and push back into the body.  
All this information, texts, and images were extracted from the original "Rollei 35/35T/35S In Practical  
Use" and intends to give some guidelines to new users that don't have access to the original manual. (c)  
 
Rollei-Werke Franke & Weidecke  
       
Unloading the film  
Unloading the film  
After frame 36, 20 or 12 (depending on film length loaded) the film has  
to be rewound:  
Turn the lever 9 upwards. Unfold the crank 24 and turn in direction of  
arrow until the resistance of pulling the film disappears.  
Fold in the crank again and turn down the lever 9.  
Move the lock 21 outwards and remove the camera back 11. Take out the  
cartridge and preferably have processed as soon as possible.  
Never change a film in direct sunlight. Use, at least, the shadow of your  
own body.  
All this information, texts, and images were extracted from the original  
"Rollei 35/35T/35S In Practical Use" and intends to give some  
guidelines to new users that don't have access to the original manual. (c) Rollei-Werke Franke &  
Weidecke  
 
 
Handling Faults and Remedies  
Fault  
Possible Cause  
Remedy  
Meter needle does not  
Preselected exposure time outside  
Select shorter or longer exposure  
respond  
setting range  
time (see how)  
Battery exhausted, not inserted or  
wrongly inserted  
Change or (correctly) fit the  
battery (see how)  
Fully pull out rapid winding lever  
Rapid winding lever only partly  
tensioned  
Shutter does not release  
Shutter speed 1/30 second or  
longer  
Picture unexposed or partly  
exposed  
Shutter speed too fast for flash bulbs  
Wrong exposure measurement  
Picture under- or  
overexposed  
Measure brightness of main  
subiect. See close-up or substitute  
readings, (see hint 9)  
Whole film under- or  
overexposed  
Set film speed correctly. See ASA  
value on film packing  
Wrong film speed setting  
Whole film unexposed  
Film has not advanced due to faulty Correctly load film (see how),  
loading or because torn  
advance smoothly but not too fast  
(see how)  
Image partly or completely Subject movement: exposure time too Use faster shutter speed  
unsharp  
long for moving subject  
Camera shake: exposure time too  
long for hand-held shot  
Support camera or use a tripod  
Image inaccurately fosused  
Focus exactly (see how)  
Rewind knob does not turn Film wrongly loaded  
Correctly load film, leader into  
outer slot (see how)  
Film torn  
Remove torn piece of film (in the  
dark, if exposed), trim new leader  
and rethread (see how)  
Heavy resistance against film Excessive exploitation of film length, Avoid any force, rewind film  
advance  
film entirely wound off  
somewhat, then finish lever stroke.  
If film is torn out of cartridge:  
open back in total darkness only,  
rewind film by hand and wrap up  
light-proof  
Bright pictures areas  
washed-out and almost  
colourless, dark picture areas against-the-light shots, market and  
almost black and without  
discernable detail  
Light contrast excessive for colour  
film: particularly with  
Select different picture area,  
photograph very bright and very  
dark subjects separately, change  
viewpoint or direction: give  
preference to morning or afternoon  
sun which is more suitable for  
photographing,  
street scenes under high sun, beach  
and mountain scenes at midday  
All this information, texts, and images were extracted from the original "Rollei 35/35T/35S In Practical  
Use" and intends to give some guidelines to new users that don't have access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
 
Facts and Figures  
(* and Green text relates to Rollei 35/35T models)  
Type:  
24 x 36 mm compact view finder camera with manual pointer, meter needle exposure control.  
Specification:  
Collapsible lens, between-lens shutter 1/2 to 1/500 sec and B, double exposure and blank framelock,  
exposure metering system coupled to aperture and shutter speed settings, film speed range 25-1600  
ASA/15. 33 DIN, indicator dial for film type loaded, self-zeroing frame counter, X-center contact for flash  
guns, cable release socket, fitting for carrying strap.  
Exposure meter:  
Pointer / meter needle aligning system with CdS-cell, directed metering to subject foreground, measuring  
range with 100 ASA/21 DIN film 16-16,000 cd/m2, 17.9-17.900 cd/sq.yd.;  
Power supply:  
Button cell 1.35 V. (PX13 or PX625)  
Finder system:  
Optical view finder 0.6 x, bright-line frame with parallax marks, showing surrounding subject field.  
Lens:  
Rollei HFT(R) Sonnar 40 mm f/2.8, filter thread E 30,5 x 0,5 (Tessar 40 mm f/3.5, filter thread E 24 x  
0.5*), made by Rollei under license from Carl Zeiss, Oberkochen, West Germany; collapsible with shutter  
tensioned. Five (four*) elements, four components, aperture range 2.8 (3.5*) to 22, manual focusing to 3  
ft/ 0.9 m .  
Dimensions:  
Approx. 97 x 60 x 32 mm, 3'3/16" x 2' 3/8" x 1'1/4" inch (97 x 60 x 30 mm, 3'3/16" x 2'3/8" x 1'3/16"  
inch*).  
Weight:  
Approx. 320g / 11 5/16oz (325g / 11 7/16 oz*).  
Accessories:  
Carrying strap, carrying case, eveready case, lens cap, folding lens hood with E 30.5 x 0.5 (E 24 x 0.5*)  
thread; medium yellow, orange. UV, R 1.5 filter with E 30.5 x 0.5 (E 24 x 0.5*) thread.  
Technical modifications and inclusion of accessories reserved.  
Registered trade mark: Rollei HFT(R)  
All this information, texts, and images were extracted from the original "Rollei 35/35T/35S In Practical  
Use" and intends to give some guidelines to new users that don't have access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
 
Depth of Field Tables  
Distance  
f 2.8  
f 3.5 (4)  
f 5.6  
f 8.0  
f 11  
f 16  
f 22  
(feet)  
Infinity 75'- inf.  
60'- inf. 40'- inf. 25'- inf. 19'- inf. 13'- inf.  
15'- 30' 13'- 43' 11'6"- 80' 9'9"- inf. 8'- inf.  
9'- inf.  
6'6"- inf.  
5'- inf.  
20'  
10'  
6'  
16'- 27'  
8'10"- 1''16" 8'8"- 12' 8'- 13'6" 7'4"- 16" 6'6"- 21' 5'9"- 38'  
5'7"- 6'6" 5'6"- 6'8" 5'3"- 7'1" 5'- 7'7" 4'8"- 8'7" 4'3"- 10'6" 3'19"- 15'6"  
3'10"- 4'2" 3'9"- 4'3" 3'8"- 4'5" 3'6"- 4'8" 3'4"- 5' 3'2"- 5'6" 2'11"- 6'8"  
2'11"- 3'1" 2'10"- 3'2" 2'8"- 3'3" 2'7"- 3'4" 2'6"- 3'6" 2'5"- 3'9" 2'3"- 4'3"  
4'  
3'  
Cicle of confusion = .25mm  
Distance  
f 2,8  
f 3,5 (4,0) f (5,6)  
12- inf.  
f 8.0  
f 11  
f 16  
f 22  
(meters)  
infinity 23 - inf. 18 - inf.  
8- inf.  
6- inf.  
4- inf.  
2,9- inf.  
6
4,8 -8  
4,5 - 9  
4,0 - 13 3,5 - 23 3,0 - inf. 2,5 - inf. 2,0 - inf.  
3
2
1,5  
1,2  
1,0  
0,9  
2,7 -3,4 2,6 - 3,6 2,4 - 4,6 2,2 - 5,6 2,0 - 6 1,75 - 11 1,5 - inf.  
1,85 -2,18 1,8 - 2,2 1,7 - 2,4 1,6 - 2,6 1,5 -3,0 1,35 - 3,7 1,2 - inf.  
1,42 -1,60 1,40 -1,62 1,34 1,71 1,28 - 1,8 1,2 - 2,0 1,12 - 2,3 1,10 - 3,0  
1,15 -1,26 1,13 -1,28 1,10 -1,33 1,06 -1,39 1,01 -1,5 0,95 -1,65 0,83 - 2,0  
0,96 -1,04 0,95 -1,05 0,93 -1,09 0,90 -1,13 0,87 -1,19 0,82 -1,30 0,76 - 1,45  
0,87 -0,93 0,86 - 0,94 0,84 - 0,97 0,82 -1,00 0,79 -1,05 0,75 -1,12 0,71 -1,25  
Cicle of confusion = .25mm  
All this information, texts, and images were extracted from the original "Rollei 35/35T/35S In Practical  
Use" and intends to give some guidelines to new users that don't have access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
   
Practical Hints  
1. Shooting with the lens hood  
The lens mount will take the screw-in folding lens hood to protect  
the lens against direct rays from the sun, as well as against  
splashes of water and drops of rain. It ensures optimum brilliance  
and sharpness for your shots. Always use it whenever possible see  
hint 4 also.  
All this informations, texts, and Images were extracted from the "Rollei 35/35T/35S In Practical Use" and  
only intends to give some orientation to new users that didn't had access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
   
Practical Hints  
2. Self-timer exposures  
Separate self-timers can be used, provided that the travel of the  
release plunger on the self-timer can be precisely matched to the  
travel of the release button 18.  
Self-timers with too long a release plunger travel or too hard a  
release movement may damage the camera.  
3. Exposures with cable release  
Use the camera on a tripod or firm support, screw the cable release  
into the release knob 18. See also "For long time exposures"  
All this informations, texts, and Images were extracted from the "Rollei 35/35T/35S In Practical Use" and  
only intends to give some orientation to new users that didn't had access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
     
Practical Hints  
4. Exposures with filters  
The thread of the lens 4 or the lens hood mount takes a screw-in filter:  
30.5 x 0.5 for Sonnar lensed models (35S / 35SE)  
24.0 x 0.5 for Tessar lensed models (Original 35 / 35T)  
Filters mostly require an exposure correction. Its value is engraved on the filter mount. This indicates the  
number of stops by which the aperture has to be opened (towards lower f/numbers) or the exposure time  
increased .  
For example if the measured aperture is f/11, and the filter correction value -1.5 ( i.e. 1 l/2 aperture stops),  
use an aperture setting between f/8 and f/5.6  
If you want to correct by increasing the exposure time, moving the shutter speed dial from one value to  
the next corresponds to a full exposure step correction. Half steps can only be allowed for by intermediate  
aperture settings.  
Filters for black and white shots:  
Medium yellow filter: (exposure correction -1.5). This makes the sky reproduce darker, clouds more  
brilliant and improves modelling in snow shadows.  
Orange filter: (exposure correction -1.5 to -3, according to the film type used). This darkens blue skies to  
give heavy thunderstorm effects and lightens yellows and reds.  
Filters for colour shots:  
Filter UV and colour conversion filter R 1.5: (these require no exposure correction). They subdue blue  
casts which can arise on cloudless days through the predominant blue skylight, especially in distant views.  
With some reversal colour films a warmer overall rendering may be desirable. In that case the R 1.5 filter  
may be used for all shots.  
All this informations, texts, and Images were extracted from the "Rollei 35/35T/35S In Practical Use" and  
only intends to give some orientation to new users that didn't had access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
   
Practical Hints  
5. Flash shots  
Accessory shoe 20 with X-central flash outlet can take a flash gun.  
Flash guns without central contact require the flash cable adapter  
301060.  
Flash bulbs and electronic flash can be used. For colour shots use  
only blue bulbs or electronic flash.  
For flash shots, ignore the exposure meter. Set the exposure time,  
aperture and subject distance as recommended by the manufacturer  
of the flash unit  
Permissible shutter speeds:  
Flash bulbs -1/30 second or longer (shorter speeds will cause underexposures or even no exposures at  
all).  
Electronic flash - any speed up to 1/500 second.  
Shadow areas are reduced if the flash gun is situated above the lens and the camera held accordingly: keep  
the flash to the left of the camera for upright shots, and on top for horizontal shots.  
The camera is easy to operate in both these positions.  
All this informations, texts, and Images were extracted from the "Rollei 35/35T/35S In Practical Use" and  
only intends to give some orientation to new users that didn't had access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
   
Practical Hints  
6. Selecting the best shutter speed  
The figures 2 to 500 on the shutter speed dial 1 indicate fractions of a second. The speed dial engages at  
each setting; never set intermediate values. Image sharpness depends, among other things, on the use of a  
sufficiently fast shutter speed. Therefore :  
With hand-held exposures: Use fast speeds to avoid camera shake. The longest usable time is 1/30  
second; 1/60 and 1/125 second are safer and more reliable. With a not very steady hand use 1/125 or,  
better still, 1/250 second .  
With moving subjects: Use short exposure times to avoid movement blur. As a general guide:  
Motor races, tennis - 1/500 second.  
Horse races, cross country runners -  
1/500 second.  
Running children and cyclists -1/250 to  
1/125 second.  
Walking figures, standing people-1/125  
to 1/60 second.  
In general: Movement at close range and across the  
viewing direction needs faster shutter speeds, movement  
from greater distances and approaching or receding from  
the camera allows slower shutter speeds.  
Longtime exposures  
The "B" setting on the shutter speed dial provides time exposures of any required length. Keep the release  
button depressed for the required exposure time. The shutter closes when you let go again.  
With longtime exposures you can also take shots in very poor light which is too weak for an exposure  
meter reading. As a special case, if you arrive at the "B" setting by lining up the matching pointer 17, the  
correct exposure time is 1 second (double the next exposure setting).  
For long time exposures: place the camera on a firm support or a tripod and use a cable release with time  
lock (see hint 3).  
All this informations, texts, and Images were extracted from the "Rollei 35/35T/35S In Practical Use" and  
only intends to give some orientation to new users that didn't had access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
     
Practical Hints  
7. Pre-selecting apertures  
According to the type of subject you can line up the  
matching pointer 17 with the meter needle by turning  
either the aperture dial 5 or the shutter speed dial 1.  
With moving subjects pre-select the exposure time to  
make sure of a suitably fast shutter speed Then match up  
the pointer by turning the aperture dial.  
If on the other hand depth of field is more important (see  
hint 8), determine the required aperture and preselect this  
Now match up the pointer 17 by turning the shutter speed  
dial 1. If necessary complete the exact matching with the  
aperture dial 5 to get a speed value in clickstop position.  
In every case the camera must point at the subject while  
you line up the pointer.  
All this informations, texts, and Images were extracted from the "Rollei 35/35T/35S In Practical Use" and  
only intends to give some orientation to new users that didn't had access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
   
Practical Hints  
8. Depth of field  
The image of a subject is sufficiently sharp  
over a range of distances in front of and  
behind the focused distance. This depth of  
field zone is shown on the depth of field  
scale 3:  
Look up the marks of the aperture in use to  
each side of the focusing index The figures  
on the distance ring 22 opposite these marks  
then indicate the sharply covered subject  
range  
Depth of field is particularly desirable for  
candid snapshots, sports photography with  
rapidly changing subject distances, and for  
scenes extending in depth. For this reason  
the most useful snapshot settings of 6 and  
20 feet (or 2 and 6 at meter scale) are marked in red on the distance ring 22. At a medium aperture (f/8 to  
f/11) these settings provide extended focusing ranges:  
Distance range in focus  
Scale at  
6 feet from about 4'l/2" to 9 feet  
(2 m) ( from about 1.5m to 3m)  
20 feet from about 10 feet to infinity  
(6 m) (from about 3m to infinity)  
For distant views with near foregrounds set the infinity marking "oo" opposite the aperture in use on scale  
3. That extends the depth of field to the nearest possible point in the foreground.  
All this informations, texts, and Images were extracted from the "Rollei 35/35T/35S In Practical Use" and  
only intends to give some orientation to new users that didn't had access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
   
Practical Hints  
9. Correct exposure  
As a basic rule, always point the camera while taking exposure readings exactly in the direction of the  
subject. Inadvertent tilting of the camera - for example, into the sky while taking landscape views - can  
falsify the reading and in this case lead to under-exposure.  
The exposure meter evaluates the average brightness of the measured subject field. With.subjects of  
average contrast it automatically indicates the correct exposure. But even with shots of considerable  
brightness range you can take the readings in such a way as to ensure correct exposure for the main  
subject.  
Normal subjects: the view is lit from the front or at an angle from the side. There are no heavy shadows,  
and dark and bright areas are balanced. (This uniform front lighting also yields the most saturated colours  
in colour shots).  
Result: The measured exposure is correct for the whole field of view.  
A special case: The main subject contrasts strongly in brightness against  
the background. For example, with a portrait of a suntanned face against  
bright clouds an average reading would give too much importance to the  
sky. Yet it is the head which matters for the exposure.  
The right way: Take a close-up reading with the camera near the subject  
until the main object completely fills the finder. After setting the exposure  
go back for shooting to the previous viewpoint.  
Substitute reading: If a close-up reading is not possible, point the camera  
at a substitute object of average contrast and under the same lighting. Use the setting obtained for the  
exposure.  
Against the light: When shooting against the light open the lens aperture by one stop (next lower  
f/number) .  
For colour subjects to be taken on reversal colour film: Avoid very great brightness differences. A  
close-up reading of the shadow areas usually leads to excessive exposure for the sunlit image portions,  
which then appear too light and burnt out when you project the slide. An average brightness reading (as  
with normal subjects) here again yields pictures which correspond most closely to the natural colour  
impression.  
All this informations, texts, and Images were extracted from the "Rollei 35/35T/35S In Practical Use" and  
only intends to give some orientation to new users that didn't had access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
   
Practical Hints  
10. Film transport  
You can operate the winding lever14 either in one full swing or in several short swings until it locks.  
11.Changing the battery  
The cadmium sulphide exposure meter 19 is powered by a Mallory battery PX 625.  
According to the manufacturer, the durability of the battery is 12 to 24 months, provided that the  
unused camera is kept in the case i. e. in the dark. The voltage drop occurs suddenly.  
Symptom: the meter needle 16 does not deflect any more. Recommended precautions: Change battery  
annually, and remove it if the camera is not used over an extended period, always remove an exhausted  
12. Is the camera loaded?  
If you are not sure after a long interval, unfold the rewind crank 24 and try turning it gently in the  
direction of the arrow. If you meet a resistance you know that there is a film in the camera. If the camera  
is empty, the crank 24 turns freely.  
13. Carrying strap and carrying case  
The carrying strap is fixed to the fitting 12 at the side. Push the  
protruding retaining spring against the camera body with the button on  
the strap and push the button home.  
To remove, push down the spring leaves with a fingernail and slide off  
the button.  
With the strap the camera can hang from the wrist even inside its  
carrying case. Open the zip fastener of the case and push back the latter.  
During shooting it simply hangs from the strap.  
All this informations, texts, and Images were extracted from the "Rollei 35/35T/35S In Practical Use" and  
only intends to give some orientation to new users that didn't had access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
         
Practical Hints  
14. Taking care of the camera  
Protect the camera against hard knocks and do not drop it.As a safety measure, wrap the strap around your  
wrist.  
Protect the camera against moisture, dust, wind-blown sand at the seaside and continuous exposure to  
sunlight. This applies especially when the camera is opened while changing films. Keep the film pressure  
plate 26 clean, and occasionally polish it with a leather cloth. For cleaning the inside of the body use a soft  
brush.  
A soft sable brush is also the best means for cleaning the lens 4. The lens surfaces are sufficiently recessed  
to avoid accidental finger marks. To clean filters, first dust them with a soft brush and then polish with  
lens tissue.  
If the lens surface mists over in the winter when taking the camera from the cold air outside into the warm  
air of a room, wait a few minutes until the deposit of moisture has evaporaled on its own.  
And if at any time you have a special technical query - at home or on your travels abroad - remember that  
the international Rollei Service is always at your disposal for advice and information.  
All this informations, texts, and Images were extracted from the "Rollei 35/35T/35S In Practical Use" and  
only intends to give some orientation to new users that didn't had access to the original manual. (c)  
Rollei-Werke Franke & Weidecke  
 
   

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